- #CYBERLINK POWERDIRECTOR 9.0 MOVIE#
- #CYBERLINK POWERDIRECTOR 9.0 1080P#
- #CYBERLINK POWERDIRECTOR 9.0 UPDATE#
If this kind of handholding appeals, or if HD editing on slower PCs is on the agenda, PowerDirector 9 Ultra64 is our top recommendation.Cyberlink PowerDirector 9 merupakan salah satu software yang diproduksi oleh Cyberlink yang dapat kita gunakan untuk mengedit sebuah video yang dirancang dengan teknologi baru untuk membuat sebuah video dengan kualitas tinggi secara cepat.įeatures Of CyberLink PowerDirector Ultra64 v 9
#CYBERLINK POWERDIRECTOR 9.0 MOVIE#
It also lacks PowerDirector’s beginner-friendly features, such as the Magic Movie wizard that edits footage for you. Vegas lacks proxy editing facilities, however, making it unsuitable for HD editing on slower PCs. On balance we still prefer Sony Vegas Platinum for its elegant, unerringly responsive interface and superior effects.
#CYBERLINK POWERDIRECTOR 9.0 UPDATE#
This is a superb update to an already impressive editor, and one that addresses important issues rather than adding frivolous extras. There’s a new bundled audio editor: it’s a little cumbersome but has some useful functions for preparing audio files before import into the editor.
#CYBERLINK POWERDIRECTOR 9.0 1080P#
Other new features include support for DSLR cameras’ RAW files and 24fps footage, 1080p uploads to YouTube and Facebook plus support for BDXL discs up to 128GB capacity – enough for 15 hours of 1080p AVC video. We also found adjusting the brightness and contrast controls caused colour banding in the preview window, but thankfully exported videos didn’t suffer the same problem. Chroma key and opacity controls conflict with each other, with clips fading to black rather than transparent.
Colour-correction effects are always positioned at the start of the effects chain, which isn’t always desirable. There are plenty of novelty special effects but colour correction is a little crude, especially compared to the sophisticated tools in Sony Vegas Platinum. The quality of the effects themselves still has room for improvement, though. This approach works much better than Sony Vegas Platinum’s single keyframe lane for the entire effect, where automating one parameter generates redundant keyframes for all the others. Static settings are applied via the simple, friendly looking Effect panel, while clicking Keyframe brings up individual keyframe lanes for each parameter. Keyframe editing allows effects settings to be varied over time, and while PowerDirector 8’s implementation was messy, the new system is much improved. Keeping objects on other tracks in sync can be extremely tricky. The timeline also lacks ripple-editing options the default behaviour is for clips to shuffle along to close gaps or make room when earlier ones are adjusted in length, but only for the track being edited. Applying a transition still requires a trip to the Transition Room panel, though. The timeline now has controls for applying opacity envelopes to clips without having to visit the PiP Designer window, and overlapping two clips gives an option to overwrite or split. Occasionally, it took a second to two to respond to user input, but this was rare. The timeline and interface as a whole seemed more responsive than before too.